Joe Wright moved from the stately but intense period piece
Atonement to the violent modern fairy tale
Hanna without missing a step, and now he has danced back to period form with an adaptation of
Leo Tolstoy's classic romance
Anna Karenina. 'Danced' is exactly the word to use, as Wright shot most of the film on a single soundstage, and there is a very theatrical look to the sumptuous footage. If you hear a distant ...