In my limited experience at Sundance, it seems like journalists and studios alike are always looking for "The Big One," that is, that film like
Little Miss Sunshine that will capture the hearts of Americans and (with the proper marketing) go on to rake in over $100 million at the box office.
Two nights ago at the world premiere of
My Idiot Brother it seemed as though we might have a chance at seeing this year's "Big One." Certainly, the ...