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Movie, Music and TV reviews, features and more from Salon critics and staff.
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Can an indie label with great taste save the music industry?
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What Tony Bennett taught Lady Gaga
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Pick of the week: "Take Shelter," a potent fable of marriage and madness
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Jessica Chastain: The dazzling redhead who's suddenly everywhere
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In defense of Andy Rooney
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Something's amiss in "Suburgatory"
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An interview with the dean of "Community"
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"Margaret": The great NYC post-9/11 movie that crashed and burned
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How Wilco's Jeff Tweedy became a great American songwriter
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Does Patti Stanger hate everyone?
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Early signs of a "Bridesmaids" bump
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Television's season of the vagina
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Civilization gets a prehistoric reboot in "Terra Nova"
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The plot-crazy spectacle of "Boardwalk Empire"
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Walter White has to laugh, otherwise he'd cry
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The lavish "Pan Am" is nostalgic bonbons for the mind
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Quick hits: The genre-bending, joyous sound of Ozomatli
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What the "Nevermind" celebrations get wrong about Nirvana
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Fear and hugging at Dunder-Mifflin
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The "Drive" backlash: Too violent, too arty or both?
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Are comedians funnier when they're fat?
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"Abduction": Taylor Lautner's chest gets a movie
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"Killer Elite": Jason Statham and Clive Owen's dark, stylish thriller
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What's the best baseball movie?
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The overacting hall of fame
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How R.E.M. invented alternative music
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Relax, "Prime Suspect" fans, the remake has promise
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"Moneyball": Brad Pitt's wonk-friendly Oscar contender
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"Glee" imagines life beyond senior year
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Pop culture, according to Jon Huntsman
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Ted Danson gambles comeback on "CSI"
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"Revenge" is a dish that serves itself in bits and pieces
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Does "Weekend" mark a new direction for gay cinema?
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Remembering R.E.M.
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MacArthur Foundation reveals 2011 "genius grants"
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