TIFF 2011: VIOLET & DAISY Review

The concept of an adorable female assassin is nothing new. I'm pretty sure that at least half of all anime is based on this premise. The appeal is that you juxtapose wide-eyed innocence and blood-drenched experience. However, it's an idea that's been done to near-death (see: anime, +50%) and I was curious to see how Oscar-winning screenwriter Geoffrey Fletcher (Precious) would handle adorable-assassins in his directorial debut Violet ...

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